Born To Be Alive

Many other critics maintain that the Saw series forwent character development in favour of shock value, which rendered flat and consequently unrelatable personae; and that may hold true as viewers aren’t invested in player survival as much as they are passive to their imminent failure and demise thereafter. Fatality is conveyed through rapid, sometimes incorrigible reverse shots. … Continue reading Born To Be Alive

Another Brick in the Wall

I think people largely enjoy films wholly for their narratives; as in, the principle of there even being a narrative. Although events may be disjointed and crucial moments tend to manifest later rather than sooner, the story still unfolds chronologically. Personae embody clear beginnings and endings despite whatever happens between, and we have some grasp … Continue reading Another Brick in the Wall

How Soon Is Now?

Most films I’ve seen tend to open with extreme long shots. Likewise, the cinematography employed in first minute is often termed to be establishing shots since this is where audiences are granted their first taste of perspective; and in these shots, the camera is impartial in being parallel. Subjects are occluded by a literal and … Continue reading How Soon Is Now?

When The Party’s Over

...if it ever started. I think a part of growing up in this day and age is discerning IRL prospects from fickle social capital. This may be part and parcel with the assertion: “High school doesn’t last forever,” a proverb engrained upon young student bodies by various adults; mostly career or guidance counsellors. The saying … Continue reading When The Party’s Over